Amager Bolighus Copenhagen C1960
Midcentury Modern Danish 3 seater sofa from unknown designer. There is an Amager Bolighus label on the frame which places this piece from Copehagen in the early 1960's.
Restored and upholstered in Beatrice Larkin's Merino Line, a geometric design woven with a herringbone weave. We chose the fabric as Larkins's designs remind us of the work of Anni Albers who's textiles are amongst the best of the American designers of the Modernist period. It was the American enthusiasm for the Danish design that exemplified this style of furniture and defined the term Midcentury. So it made sense for us to embrace a contemporary textile with these references rather than our usual influence of British designers like Nash and Marx of the same era.
Midcentury Modern Danish 3 seater sofa from unknown designer. There is an Amager Bolighus label on the frame which places this piece from Copehagen in the early 1960's.
Restored and upholstered in Beatrice Larkin's Merino Line, a geometric design woven with a herringbone weave. We chose the fabric as Larkins's designs remind us of the work of Anni Albers who's textiles are amongst the best of the American designers of the Modernist period. It was the American enthusiasm for the Danish design that exemplified this style of furniture and defined the term Midcentury. So it made sense for us to embrace a contemporary textile with these references rather than our usual influence of British designers like Nash and Marx of the same era.
Midcentury Modern Danish 3 seater sofa from unknown designer. There is an Amager Bolighus label on the frame which places this piece from Copehagen in the early 1960's.
Restored and upholstered in Beatrice Larkin's Merino Line, a geometric design woven with a herringbone weave. We chose the fabric as Larkins's designs remind us of the work of Anni Albers who's textiles are amongst the best of the American designers of the Modernist period. It was the American enthusiasm for the Danish design that exemplified this style of furniture and defined the term Midcentury. So it made sense for us to embrace a contemporary textile with these references rather than our usual influence of British designers like Nash and Marx of the same era.
